My fascination with the ancient past began when I was four years old and wanted to be a dinosaur, specifically a Tyrannosaurus rex. When it became clear that this option was not open to me, I decided instead to become an archaeologist. Archaeologists don’t study dinosaurs, but instead investigate human antiquity. When I began my 40+ years of teaching archaeology, I asked students what topics they wanted covered in class. Invariably they expressed an interest in things like ancient astronauts, Atlantis, Stonehenge, and pyramids. This led me to a career-long study of strange claims about the human past, it provided the raw material for multiple books on the subject.
As part of my “fifty sites project” for another book, I visited the best-known Native American earthwork sites in the American Midwest including: precisely crafted conical burial mounds; enormous, flat-topped “platform mounds;” embanked enclosures; and remarkable effigies in the shapes of birds, bears, and snakes. I was awed by their beauty and sophistication, but, sadly, settlers did not always view them as the work of Native People. Prolific author Jason Colavito conducts a deep dive into the racist roots of the myth of a “lost race” of ancient inhabitants of America who were claimed by some to have built those earthworks. Colavito brilliantly deconstructs the myth of a lost race of mound builders and gives due credit to the true authors of those earthworks, America’s Native People.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of ""true"" native Americans.
Thomas Jefferson's pioneering archaeology concluded that the earthen mounds were…
Peeling back the stratigraphic layers of archaeology’s history, self-described “weirdshitologist,” archaeologist Jeb Card, reveals the discipline’s very “spooky” foundations in this riveting book. These foundations included a belief in a mythic time that preceded our modern world which has left behind its spoor in the form of eerie and phantasmagorical archaeological sites imbued with evil spirits, elves, pixies, djinn, elementals, and other paranormal entities. Card discusses haunted landscapes, bloodthirsty Druids, cursed mummies, and Lovecraftian “Old Ones” in his romp through all that is weird, strange, and, indeed, spooky in archaeology. Finally, Card shows that archaeology as presented on cable TV, YouTube videos, blogs, and social media is still haunted by the specter of Victorian Age beliefs about humanity’s presumably spooky past.
Outside of scientific journals, archaeologists are depicted as searching for lost cities and mystical artifacts in news reports, television, video games, and movies like Indiana Jones or The Mummy. This fantastical image has little to do with day-to-day science, yet it is deeply connected to why people are fascinated by the ancient past. By exploring the development of archaeology, this book helps us understand what archaeology is and why it matters.
In Spooky Archaeology author Jeb J. Card follows a trail of clues left by adventurers and professional archaeologists that guides the reader through haunted museums, mysterious hieroglyphic inscriptions, fragments…
Dighton Rock in Massachusetts is covered in incised images, some in geometric patterns, others in the shape of animals, and others still depicting human-like figures. It’s fascinating and, like many before me, when I saw it I wondered about the meaning and origin of that rock writing. As soon as European settlers encountered the artifact in the seventeenth century, they vigorously contested its origins. Some claimed the highly eroded markings reflected an assortment of Old World languages including Phoenician and Norse. Others asserted that its message recorded the presence of Portuguese explorers in the early 1500s. Author Douglas Hunter shines an investigative light on Dighton Rock, masterfully debunking all of these speculations, proving the rock’s messages should be credited to the Native People of New England.
Claimed by many to be the most frequently documented artifact in American archeology, Dighton Rock is a forty-ton boulder covered in petroglyphs in southern Massachusetts. First noted by New England colonists in 1680, the rock's markings have been debated endlessly by scholars and everyday people alike on both sides of the Atlantic. The glyphs have been erroneously assigned to an array of non-Indigenous cultures: Norsemen, Egyptians, Lost Tribes of Israel, vanished Portuguese explorers, and even a prince from Atlantis.
In this fascinating story rich in personalities and memorable characters, Douglas Hunter uses Dighton Rock to reveal the long, complex history…
I was only 9 or 10 years old when I first saw the Cardiff Giant at the Farmers’ Museum in Cooperstown, New York. I was enthralled by the recumbent ten-foot tall stone man and his story continues to fascinate me. Though it pales in comparison to the famous Piltdown Man fraud in terms of its longevity and archaeological significance, as Scott Tribble shows in his informative and entertaining book, the Cardiff Giant hoax of 1869 was much funnier. Deemed by some to be the remains of a biblical giant, thousands of dollars were made from its exhibition until a cigar manufacturer in Binghamton, New York admitted to crafting it. P.T. Barnum tried to buy it. Mark Twain penned a short story about it. And Scott Tribble wrote this marvelous book about it.
In October 1869, as America stood on the brink of becoming a thoroughly modern nation, workers unearthed what appeared to be a petrified ten-foot giant on a remote farm in upstate New York. The discovery caused a sensation. Over the next several months, newspapers devoted daily headlines to the story and tens of thousands of Americans-including Oliver Wendell Holmes, Ralph Waldo Emerson, and the great showman P. T. Barnum-flocked to see the giant on exhibition. In the colossus, many saw evidence that their continent, and the tiny hamlet of Cardiff, had ties to Biblical history. American science also weighed in…
Whenever I encounter people who interrogate me concerning my archaeological skepticism that the “Lost Continent of Atlantis,” as described by Greek philosopher Plato in about 360 BC, was a real place or even one loosely based on an actual historical event, I invariably direct them to Paul Jordan’s thorough and definitive book. “But didn’t Plato say that Atlantis was real?” they ask. Nope. “But don’t ancient civilizations share so much in common they must have derived their cultures from a single source, Atlantis?” Nope. “But didn’t Plato base his discussion of Atlantis on the catastrophic destruction of the Minoan civilization?” Nope. Why all my “nopes?” Read Jordan’s authoritative book to find out. He is a terrific researcher and a damn good writer.
This work unravels the whole Atlantis mythology, starting with the first reference to it in the works of Plato in about 360BC. It follows the evolution of the idea through classical times and the Middle Ages, and shows how the modern approach to the story was pioneered by an Italian poet in 1530.
Petrified biblical giants. Ancient aliens. Lost tribes, lost continents, and lost civilizations. Archaeology is beset by some pretty out-there claims and wild speculations concerning the human past. Newspaper headlines and social media pronouncements suggest that we archaeologists walk around in a state of perpetual bafflement about such things. I was first exposed to “pseudoarchaeology” during an encounter with a person who, upon learning I was an archaeology student, asked if I thought extraterrestrial visitors to Earth had built the pyramids of Egypt. When I became an actual archaeologist, that encounter provided one of my inspirations for writing a book debunking this and other claims about the human past that are unsupported by archaeological evidence. Sure, my message is serious, but we have a lot of fun along the way.
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come face to face with an otherworldly shark-toothed assassin.
Furious to learn she’s been enlisted by a clandestine race of beings against her…
"Be prepared for a long night of reading as the story unfolds. The end will leave you wanting more." - Goodreads Reviewer
She keeps her head down and cleans up messes. When the body count starts rising, will trying to make a living get her flushed?
Julia Xero is stuck in survival mode. After losing the only person she loved, the introverted orphan longs to escape her toxic employment for the zen of crime and trauma scene decontamination. But when she lands her dream job and is called to a bloody rooftop with a decapitated corpse, she’s horrified to come…
